Ettore Spalletti

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Biography

Spalletti’s formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space.

Ettore Spalletti was born in Cappelle sul Tavo (Pescara) in 1940, where he currently lives and works. He began his career when Arte Povera was revolutionizing visual culture in Italy and beyond. Spalletti developed a singular, solitary voice and a resultant body of work that exceeds any movement that circumscribes an artist to regional or ideological boundaries. Spalletti’s formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space. Each work is the result of a meditative but rigorous process of applying a layer of color at the same time of each day, to capture a specific tone that recalls an hour, a season, and the weather. 

Spalletti has been the subject of major international exhibitions over the last 40 years, most recently at the Nouveau Musee National d Monaco, Monaco, France (2019); Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE – Museo d’Arte Contemporanea Donnaregina, Naples, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Turin, and MAXXI – Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014). Other notable solo exhibitions include GNAM – Galleria Nazionale d’Arte Moderna, Rome (2010); Académie de France, Villa Medici, Rome (2006); the Henry Moore Institute, Leeds (2005); Castello di Rivoli - Museo d’Arte Contemporanea, Rivoli, Turin (2004); Fundación la Caixa, Madrid (2000); Musée d’Art Moderne et Contemporain, Strasbourg (1998); MUHKA – Museum van Hedendaagse Kunst, Antwerp (1995); and Museum Folkwang, Essen (1982). 

Spalletti has participated in the Venice Biennale (1982, 1993, 1995 and 1997) and documenta VII (1982), documenta IX (1992). In 2010, Spalletti was the recipient of the Terna Prize for Contemporary Art. His major commission works include the chapel at Villa Serena, Pescara, Italy in collaboration with the architect Patrizia Leonelli and La salle des départs at Hôpital Raymond-Poincaré, Garches, France. 

Spalletti’s formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space.

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Thin rectangular blue sculpture with one corner missing as if it had been folded. A cursive lowercase "es" is centered on the right side of the piece,

Ettore Spalletti

es
Published on the occasion of his exhibition, Ce qu'il y a de plus profond dans l'homme, c'est la peau, at Galerie Marian Goodman, Paris. The external appearance was created to resemble the...

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