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This exhibition explores the layered perceptions of time, growth, and memory, unfolding a rich set of metaphorical scenarios interwoven with personal emotion, shared memory, and historical temporality.

Yang Fudong and the curators will engage an in-depth conversation on his creative process and distinctive cinematic language.

The exhibition unfolds a poetics of the unseen through artistic works and vernacular photographs that focus on spirituality, trauma, transformation, and multisensory perception.

On the occasion of the North American premiere of his latest film, “Sparrow on the Sea” (2024), at Asia Society, Yang Fudong joins curator Kelly Ma in a conversation.

In the post-screening talk between the artist and M+ Associate Curator for Digital Special Projects, Kate Gu, they unpacked the story behind the creation of this site-specific black-and-white film.

Co-commissioned by M+ and Art Basel, and presented by UBS, Yang Fudong’s new work 'Sparrow on the Sea' is described by the artist as a site-specific ‘architectural film.'

The exhibition inaugurates a year-long presentation of the BAMPFA collection, bringing a contemporary perspective to the museum’s global art holdings.

Often devised specifically for the Museum, the works engage in a productive and unexpected dialogue with the architecture that hosts them.

Selected from a recent major gift of works to the Hammer Contemporary Collection by the Haudenschild family, this exhibition focuses on pioneering Chinese photography and video from the 1990s and early 2000s....

This virtual event with Yang Fudong and curator Ute Meta Bauer presented the evolution of performance in Yang’s work, from his first action, “Otherwhere” (1993), to his epic project, “Dawn Breaking” (2018).

Yang Fudong creates a site=specific work for Thailand Biennale, Korat 2021.

Zena presents Yang Fudong’s work for the first time in the Pacific Northwest.

Yang Fudong participates in a group exhibition looking back to the moment Chinese contemporary art began to emerge within the transforming urban fabric of Shanghai.

The works of Yang Fudong and Danh Vo are featured in a group exhibition highlighting the private collection of Qiao Zhibing.

Yang Fudong participates in a group show contributing to the discourse on contemporary photography in China.

Taking place in Paramount Theatre and curated by Venus Lau (Artistic Director, K11 Art Foundation), Frieze Film & Talks will combine screenings and talks with leading artists. Yang Fudong, Yejiang/The Nightman Cometh,...

“Moving Mountains,' a 46-minute black-and-white film is being shown at Fotografiska Tallinn in Estonia as part of the Tallinn Contemporary Art Biennial. The film is accompanied by photographs from the film set,...

Yang Fudong’s multichannel video installation, Beyond GOD and Evil - First Chapter takes over a hall inside the Su Zhou Museum, Suzhou, China, as part of the group exhibition “The Painted Screen:...

The Fosun Foundation in Shanghai presents ‘Push the Door Softly and Walk In, Or Just Stay Standing Where You Are,’ a cinematic video installation by Yang Fudong. Through experimental video techniques and...

During the 2019 Venice Biennale, the Faurschou Foundation presents the group exhibition 'Entropy'. Grasping the dynamics of today’s Chinese art scene, 'Entropy' explores the works of seven internationally recognized Chinese contemporary artists:...

Yang Fudong will participate in the 12th edition of the Shanghai Biennale, which is titled 'Proregress: Art in an Age of Historical Ambivalence.' The biennale will take place at the Power Station...

SCAD Museum of Art presents 'Moving Mountains,' an exhibition of recent work by Yang Fudong. Known for his epic black-and-white films, which straddle the worlds of contemporary art installation and cinema, the...

Experience the first-ever survey exhibition in New Zealand of China's preeminent moving image artist, Yang Fudong.

Yuz Museum Shanghai​ presents “Twin Tracks: Yang Fudong Solo Exhibition,” which focuses on five important works since 2007: East of Que Village (2007), Blue· Kylin ／A Journal of Shan Dong (2008), The...