This exhibition presents artworks from the past ten years that engage with the cognitive, political, and environmental dimensions of AI. A series of time capsules—small cabinets of curiosities—connect the present with the...

The exhibition engages in a critical reflection on artificial intelligence as a cultural, social, and political phenomenon.

The event celebrates Kurant's Collective Intelligence, an innovative monograph that documents the last ten years of her interdisciplinary practice.

Please join us for a conversation between Agnieszka Kurant and art historian David Joselit on the occasion of Kurant’s solo exhibition Recursion.

The gallery's unique location provides a natural context for reflection on our physical, mental, emotional, and spiritual connection to the ocean.

Art Basel’s free public sector is conceived as a curated exhibition that unfolds throughout quotidian spaces in Basel.

The exhibition brings together the work of five artists who, in varying and distinct ways, address psychosocial tensions in present-day urban life.

The exhibition presents a selection of works created between 2016 and today, many of them previously unseen, which raise the question of how we experience the world “according to AI” or “through...

This exhibition aims to shed light on both the Italian birth and the international influence of the Arte Povera movement.

Comprising new commissions alongside recent works, the exhibition is inspired by new technologies that attempt to predict, simulate and monetise possible futures.

By asking ques­ti­ons about the value of error, Agnies­z­ka Kurant con­ti­nues to reflect on the ways in which socie­ties evol­ve.

For her first institutional solo exhibition in Germany, the artist explores the impact of technology on the transformations of the human, and the concepts of plural subjectivity and collective agency.

To make The End of Signature, Agnieszka Kurant used artificial intelligence to create two different collective signatures realized as monumental light sculptures adorning the facades of two new buildings in Kendall Square.

The exhibition Crowd Crystal investigates the crowds as assets of late capitalism, in which the entire society became a factory of data mining.