'Mediterraneans' examines how art history and ethnology have contributed to creating 'images' of the Mediterranean, all relative and all constructed.

The exhibition focuses on monographic presentations of artists or highlight key periods in the collection and in the history of contemporary art, following a rotation throughout the year.

The exhibition reveals and explores the significance in Aphrodite's representation over time.

Drawing on her own collections, Annette Messager establishes a sharp dialogue with those of the museum and, along the way, elevates the animal world to an infinite reservoir of passions and impulses—our...

More than 80 works are displayed in around fifteen rooms, along a thematic journey (transport of love, capture and captivity, blood of beasts, domesticated savagery...) where major installations, emblematic works and new...

The exhibition 'Good Mothers' celebrates Mediterranean motherhood as an object of social construction, a political issue, and an artistic subject in an immersive and diachronic journey retracing its history from Antiquity to...

Messager's Voeux avec laine (Wishes with wool, 1989-2024) has become part of Reina Sofía's permanent collection.

Through an immersive and rigorous approach , this exhibition explores one of history's most widespread persecutions: that of women accused of witchcraft, from the twilight of the Middle Ages to the modern...

This exhibition aims to reestablish the dialogue between their works by revealing affinities that have rarely been analyzed, due to the few confrontations that have taken place over time.

Exposition Générale will showcase both the Fondation Cartier's artistic identity and its legacy, through nearly six hundred works by more than one hundred artists who have participated in its programming since 1984...

Messager's 'Ensemble CB-AM,' 2022 is part of Oh La La!, Art Basel Paris’ special initiative inviting galleries to present new works at their booths. The theme of this year's edition is 'À...

Annette Messager's drawings exploring the cycles of life and death will be grouped together within a specifically designed installation.

The site-specific installation, 'Le grenier du château,' by Annette Messager and Christian Boltanski is presented on the occasion of the institution’s 40th anniversary

Featuring over 70 works across various media, this exhibition marks Annette Messager's first major solo show in China.

Drawing its title from a photograph by Maurizio Cattelan, the exhibition consists of works in The Met collection from the 1970s to today that reflect upon the complicated feelings of nostalgia and...

Annette Messager presents a collection of historical and personal belongings in a Paris emergency shelter.

The aim of the exhibition is to present and contextualize a current tendency in contemporary art, especially in painting.

This exhibition provides a unique insight into her surrealist, feminist and aesthetic universe.

Messager's 'Dependance/Independance,' 1995-6, will be shown at this group exhibition, at the Public Tobacco Factory in Athens, Greece.

Annette Messager presents previously unseen drawings and installations in which she proposes her own utopia and tricks and taunts reality.

A Family Story, Collection(s) Robelin alternates between monographic rooms showcasing the works of Annette Messager and more. Includes works by Thomas Struth, Hiroshi Sugimoto, and James Welling.

Annette Messager participates in a group exhibition exploring garments as a critical tool in contemporary art.

For the first time in Israel, the Tel Aviv Museum of Art is presenting a comprehensive solo exhibition of works by Annette Messager.

Rineke Dijkstra and Annette Messager participate in a group exhibition examining masculinity through the medium of film and photography.

Around 90 artists from 34 countries stand with their works for the enormous diversity and vitality of the contemporary European art scene, from Portugal to Russia, from Norway to Turkey.

Annette Messager and Pierre Huyghe participate in a group exhibition, conceived in a dialogue between Maurizio Cattelan and Chiara Parisi, reflecting on the current state of art as influenced by Arcimboldo.