The exhibition speculates on what the film might have been, establishing a dialogue between a group of contemporary artists and the fragments of Federico García Lorca’s life and screenplay.

The exhibition reflects on nature as lived experience, constantly re-created and co-constructed through embodied and subtle interactions.

Spanning sculpture, video, installation, and performance, the exhibition presents a powerful portrait of Spain’s contemporary artistic landscape.

The exhibition takes the institution’s opening in 1950 as a starting point to question the museum’s own history.

For his project at SculptureCenter, the artist focuses on a potential ruin, or a ruin in progress—a public artwork by the American sculptor Scott Burton (1939–1989).