Andrea Fraser, known for her work in institutional critique, will participate in the Biennial with her mother, the 92-year-old painter Carmen de Monteflores.

The group exhibition explores the history of the transatlantic circulation of forms and ideas through the works of some sixty artists, bringing together a wide variety of mediums and a number of...

Labels will be discussed from the perspective of institutional critique and critical museology, with two lectures: one by Andrea Fraser (artist, Los Angeles), and the other by Marie Fraser (theorist, Montreal).

Marian Goodman Gallery is honored to announce that Andrea Fraser was awarded the Philip Guston Rome Prize by the American Academy in Rome, in recognition of her groundbreaking work in institutional critique.

The exhibition presents a survey of the work of Andrea Fraser.

This exhibition showcases a permanent collection presentation featuring reference artists, contemporary icons, historical pioneers, and key figures from the museum’s global collection.

The exhibition considers humor and contemporary art, focusing solely on the work of female-identifying artists.

This is the first solo exhibition ever devoted by an Italian institution to the research of Andrea Fraser.

Curated by Thomas Feulmer and Lisa Le Feuvre, the exhibition looks at artists who generate, question, and infect value systems through their work.

Triple Canopy honors Andrea Fraser at the magazine’s spring benefit.

The exhibition features Andrea Fraser's early work, 'Four Posters' (1984).

Andrea Fraser and Claudia Rankine will discuss the intersections between their recent works and their shared interests.

Andrea Fraser joins Marian Goodman Gallery—her first US commercial representation in more than a decade.

Andrea Fraser presents a performance-based video that explores formations of race, gender, and age in an intergenerational group of seven self-identified white women.

The Whitney Museum of American Art will present Open Plan, an experimental five-part exhibition using the Museum’s dramatic fifth-floor as a single open gallery, unobstructed by interior walls.