Leonor Antunes

Caption +
2 Willow Road, 2017
Brass, powder coating

78 3/4 x 31 1/2 x 19 3/4 in. (200 x 80 x 50 cm)

(20469)
Caption +
2 Willow Road (II), 2017
White leather

Dimensions variable

(20470)
Caption +
Alterated Climbing Form (I, II), 2017
Painted brass

170 7/8 x 122 1/8 x 7 7/8 in. (434 x 310 x 20 cm); 174 5/8 x 65 x 7 7/8 in. (443.5 x 165 x 20 cm)

(20971)
Caption +
alterated knot 5, 2018
Grey leather, aluminium tube, silicon tube, waxed nylon yarn, hemp rope

Ten parts: dimensions variable

Caption +
A.S. in the S.P., 2018
Brass and polycarbonate screens

Six parts: dimensions variable

(20978)
Caption +
A.S. in the S.P. (1), 2018
Brass and polycarbonate screens

4 parts: Dimensions variable

(20979)
Caption +
Random Intersections #16, 2016
Set of 2; leather and nylon yarn

129 7/8 x 15 3/4 in. (330 x 40 cm)

195 5/8 x 17 3/8 in. (497 x 44 cm)

(21191)

LEONOR ANTUNES

(b. Lisbon, Portugal, 1972)

 

RECENT SOLO EXHIBITIONS

 

2018

The Last Days in Galliate, Pirelli Hangar Bicocca, Milan, Italy

Museo Tamayo, Mexico City, Mexico 

Marian Goodman Gallery, London, UK

 

2017

the frisson of the togetherness, Whitechapel Gallery, London, England

Discrepancies with G.G, Tensta Konsthall, Stockholm, Sweden

Acrotonie, Air de Paris, Paris, France

 

2016

If I can’t Dance, I don’t Want to be part of your Revolution, If I Can't Dance, Amsterdam, Holland

Leonor Antunes, Villa André Bloc, Meudon, France

a spiral staircase leads down to the garden, SFMOMA San Francisco Museum of Modern Art, USA

 

2015

I Stand Like a Mirror Before You, KIOSK, Ghent, Belgium

I Stand Like a Mirror Before You, New Museum, New York, USA

Salão Nobre do Teatro Nacional, Porto, Portugal

CAPC musée d'art contemporain de Bordeaux, France

 

2014

PAMM Pérez Art Museum, Miami, USA

 

2013

the last days in chimalistac, Kunsthale Basel, Basel, Switzerland

a linha é tão fina que o olho apesar de aramado com uma lupa, imagina-a ao invés de vê-la, Kunsthalle Lissabon, Lisboa, Portugal

the space of the window, artist’s choice, collection of the Musée d’Art Moderne de la Ville de Paris, Paris, France

 

2012

l’hazard et l’enemie de tous les metres, with 'more publishers', de Vleesaal, Middelsburg, Holland

l’hazard et l’enemie de tous les metres, solo project with 'more publishers', PaperView, Porto Maus Hábitos, Portugal

sculptures for travelling, Kunstverein Harburger Banhof, Hamburg, Germany

discepanices with T.P., ARCO Solo Projects, Madrid, Spain

discrepancies with M.G., Nilufar, Milan, Italy

 

2011

villa, how use use, Kunstverein Düsseldorf, Düsseldorf, Germany

discrepancies with M.G., Museo El Eco, Mexico City

walk around there, look through here, Museo Reina Sofía, Madrid, Spain

casa, modo de usar, Serralves Museum, Porto, Portugal

floor, L40, Berlin, Germany

 

2008

original is full of doubts, Le Credac Centre d’art contemporain Ivry Sur Seine, Paris, France

1763/2008, Galerie Isabella Bortolozzi, Berlin, Germany

architectura, Galeria do Lago, Museu da República, Rio de Janeiro, Brazil

villa A 7812, Chiado 8, Fidelidade Seguros, Culturgest, Lisbon, Portugal

 

RECENT GROUP EXHIBITIONS

 

2018

Space Shifters, Hayward Gallery, London, United Kingdom

Gwangju Biennial, South Korea

Machines à penser, Fondazione Prada, Venice, Italy

 

2017

Condemned to be Modern, LAMAG Los Angeles Municipal Art Gallery, Los Angeles, USA

Ways of the hand, Maisterravalbuena, Lisbon, Portugal

57th Venice Biennial, Venice, Italy

 

2016

ouvres de la collection du CAPC, CAPC, Bordeaux, France

Ficciones y territorios: Arte para pensar la nueva razón del mundo, Reina Sofia Museum, Madrid, Spain

Conversas: arte portuguesa recente na coleção de Serralves, Serralves Museum, Porto, Portugal

Leonor Antunes, Haris Epaminonda, Bethan Huws, Barbara Gross Gallery, Munich, Germany

Another Reality. After Lina Bo Bardi, Stroom den Haag, The Hague, The Netherlands

sem saber quando virá o amanheçer, Galeria Silvia Cintra, Rio de Janeiro, Brazil

Introduction series, If I can’t Dance I don’t want to be part of your revolution, Cygnus Gymnasium, Amsterdam, The Netherlands

Geographies of Dust and Air”, Mary Mary Gallery, Glasgow, Scottland

from here to there, Kurimanzutto travels to Jessica Silverman Gallery, San Francisco, USA

Houses jn the CAM Collection, CAM Centro de Arte Moderna, Gulbenkian Foundation, Lisbon, Portugal

 

2015

Function Follows Vision, Vision Follow Reality, Kunsthalle Wien, Vienna, Austria

Slip of the Tongue, Punta della Dogana, Venice, Italy

12a Bienal de Sharjah, Sharjah Art Foundation, UEA

 

2014

8a Bienal de Berlim, KW, Berlin, Germany

Behind the super square, Bronx Museum, New York, USA

Ökonomie der Aufmerksmkeit, Kunsthalle Wien, Vienna, Austria

Pier 54, High Line, New York, USA

 

2013

Decorum, Musée d’Art Moderne de la Ville de Paris, Paris, France

Topo Dendro Philia, Pillar Corrias Gallery, London, England

Textiles, Open Letter, Museum Abteiberg, Monchengladbach, Germany

Fellbach Trienniale, Fellbach, Germany

Decorum, Musée d’Art Moderne de la Ville de Paris, Paris, France

Reading Danse, Le C.N.E.A.I., France

Conceptual Tendencies 1960s to Today II. Body, Space, Volume., Daymler Crysler, Berlin, Germany

Sentodo de deriva – Obras da colecção da Caixa Geral de Depósitos, Culturgest, Porto, Portugal

 

2012

Weights and Measures, Eleven Rivington Gallery, New York, USA

in situ, IAC Institut d’Art Contemporain Villeurbane, Rhône-Alpes, France

livros de artista, Fundação Calouste Gulbenkian Fondation, Lisbon, Portugal

Man in the Holocene, MIT List Visual Arts Center, Cambridge, USA

 

2011

the language of less (then and now), Museum of Contemporary Art, Chicago, USA

Pas De Rapport Morceaux Choisis, Galerie de L'Erg, Brussels, Belgium

Zona letal espaço vital, obras da colecção da CGD, Portugal

Museu de Arte Contemporânea de Elvas, Elvas, Portugal

Provas de cor / trabalhos da coleção EDP, Museu da Imagem em Movimento, Leiria, Portugal

 

2010

Chambres a part 4, La reserve Paris, Paris, France

Rehabilitation',Wiels Contemporary Art Centre Brussels, Belgium

Arte Y Investigation 09, Centro Cultural de Montehermoso, Victoria Gasteiz, Spain

Le Carrillon de Big Ben, Le Credac, Ivry Sur Seine, Paris, France

CAPC or Life in the Grip of Art, CAPC, Bordeaux, France

Le Carillon de Big Ben, Galerie des Multiples, Paris, France