Nan Goldin and Francesca Woodman - Femme Fatale Hamburger Kunsthalle
Beyond exploring a range of artistic approaches to the theme from the early 19th century to the present, the show aims to critically examine the myth of the femme fatale in its genesis and historical transformation.
1- Nan Goldin, Ivy in opera gloves, Boston, 1972, Silver gelatin print
2-Francesca Woodman. Untitled, Providence, Rhode Island, 1975-1978. © Woodman Family Foundation / Artists Rights Society (ARS), New York.