5 framed artworks of various sizes and one gold sculpture on a pedestal on white walls in a large warehouse.
Fort Mason Festival Pavilion, San Francisco

FOG Design+Art

Booth 211
16 - 19 January 2020
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Installation Views

A rectangular sculpture in neutral blues, grays and beige leans against a white wall.

Nairy Baghramian
Coude à Coude, 2019
Cast aluminum, wax
84 5/8 x 57 1/2 x 3 1/8 in. (215 x 146 x 8 cm) 
On the left, text describing the interior of a movie set, on the right, a vintage photograph of a man with a bowler hat

John Baldessari
Scene ( ) / Take ( ): There are a stack of tools..., 2014
Varnished inkjet print on canvas with acrylic paint
67 3/8 x 108 in. (171.1 x 274.3 cm) 
A plaque with the name of European cities, a flag, and a red exclamation point.

Marcel Broodthaers
Tirage illimité, le drapeau noir, 1968
Vacuum-formed plate
Plate: 33 x 47 1/4 in. (83.8 x 120 cm) Frame: 33 3/4 x 48 1/8 x 1 1/4 in. (85.7 x 122.2 x 3.2 cm)
A blue and violet cloudy sky over a body of water. A blurry fire is visible in the bottom left corner.

Nan Goldin
Brushstrokes in blue sky, Malibu, 2006
Archival pigment print mounted on 2mm dibond with chassis
59 x 88 5/8 in. (149.9 x 225.1 cm)
21 drawings of figures, portraits, leaves and diagrams are in 3 rows in a white frame.

William Kentridge
Drawing from Waiting for the Sybil, 2019 
Charcoal and pastel on 21 Shorter Oxford English Dictionary pages 
34 1/4 x 57 1/8 in. (87 x 145 cm)
12 drawings of birds and text are contained within one frame

William Kentridge
Drawing for 'The Head & the Load', 2018
Charcoal and red pencil on found ledger pages
Paper: 11 x 12 1/8 in. (27.9 x 30.8 cm) (each)
Overall mounted: 39 3/4 x 51 7/8 in. (101 x 131.8 cm)
Frame: 43 1/2 x 56 1/4 x 2 in. (110.5 x 142.9 x 5.1 cm) 
A black and white sketch of a vase of flowers on a polkadot tablecloth, overlaid with a grid.

William Kentridge
Irises, Royal Observatory, Cape of Good Hope, 2019
Lithographs printed on pages scanned from a 1947
Royal Observatory, Cape of Good Hope log book, mounted on cotton cloth
64 5/8 x 59 7/8 in. (164 x 152 cm)
A circular mirror in a wooden frame with a rainbow painted on the top 3/4

Janette Laverrière
DEMAIN, 2001
Painted wood, multipli, mirror
21 1/4 x 21 1/4 x 1 5/8 in. (54 x 54 x 4 cm)
A red lampshade with a glowing lightbulb attached to the wall

Janette Laverrière
CHAPEAU CHINOIS II, 1952/2011
Painted metal, cable, light bulb
11 3/4 x 21 5/8 x 51 1/8 in. (30 x 55 x 130 cm)
Two statues, one of a man and a man on a horse, stand within a plywood shed.

An-My Lê
Fragment VI: Generals Robert E. Lee and P.G.T.
Beauregard, Monuments, Homeland Security Storage,
New Orleans, Louisiana, from The Silent General, 2017
Pigment print
56 1/2 x 40 in. (143.5 x 101.6 cm)
A square, geometric painting with a palette of gold leaf, white, pinks and black

Gabriel Orozco
Untitled, 2019
Tempera and gold leaf on linen canvas
29 1/2 x 29 1/2 in. (75 x 75 cm)
A row of 10 bicycles stand outside in front of a wooden fence.

Gabriel Orozco
At the Cotton Factory (En la fabrica de algodon), 1993
Silver dye bleach print (cibachrome)
Image: 12 1/4 x 18 1/2 in. (31.1 x 47 cm)
Frame: 21 3/4 x 27 7/8 x 1 3/8 in. (55.2 x 70.8 x 3.5 cm)
The base of a green post is filled with dirt and a brush, a mound of dirt is visible in the background.

Gabriel Orozco
Brushes in Post (Cepillos en el poste), 1991
Silver dye bleach print (cibachrome)
Image: 12 1/4 x 18 1/2 in. (31.1 x 47 cm)
Frame: 21 5/8 x 27 7/8 x 1 1/2 in. (54.9 x 70.8 x 3.8 cm)
A thorn-like black texture creates a pattern on a white canvas

Giuseppe Penone
Spine d'acacia - Contatto II ottobre 2010, 2010
Acrylic, glass microspheres and acacia thorns on canvas
27 1/2 x 39 3/8 x 2 3/4 in. (70 x 100 x 7 cm)
A person sits to the left of a brass music box which appears to distort the plants and window behind it

Anri Sala
No Window No Cry, (Olavo Redig de Campos), 2016
Music box, glass, wooden window frame
96 5/8 x 63 3/4 x 2 1/8 in. (245.5 x 162 x 5.5 cm)
Chemical compounds are written on a clear, dry erase-board in a laboratory; colorful equipment is visible behind it

Thomas Struth
Chemistry Fume Cabinet, The University of Edinburgh, 2010
Chromogenic print
Image: 45 x 63 in. (114.3 x 160 cm)
Sheet: 47 1/2 x 65 3/8 in. (120.7 x 166.1 cm)
Frame: 48 1/2 x 66 3/8 x 2 in. (123.2 x 168.6 x 5.1 cm)
An out of focus, grayscale image of a Brancusi sculpture on a pedestal

Hiroshi Sugimoto
Past Presence 075, Mlle. Pogany II, Constantin Brancusi, 2016
Gelatin silver print
Neg. # 30.075
Image: 58 3/4 x 47 in. (149.2 x 119.4 cm)
Frame: 71 3/4 x 60 x 3 in. (182.2 x 152.4 x 7.6 cm)
A horizon line divides the frame equally between water and sky

Hiroshi Sugimoto
Lake Superior, Eagle River, 2003
Gelatin silver print
Neg. #519
Image: 16 5/8 x 21 3/8 in. (42.2 x 54.3 cm)
Frame: 25 7/8 x 32 7/8 x 1 1/4 in. (65.7 x 83.5 x 3.2 cm)
A dirty mop and bucket sit in the corner of a chipped white floor next to a plywood cabinet

Jeff Wall
Diagonal Composition #3, 2000
Transparency in aluminum lightbox
Image: 29 1/4 x 37 in. (74.3 x 94 cm)
Lightbox: 34 3/4 x 42 1/2 x 7 in. (88.3 x 108 x 17.8 cm)
Capital green text which reads "A MOUND OF THOSE OFFERINGS THAT HALLOW LAYING WASTE & MAKING FALLOW A PORTION OF THE LAND"

Lawrence Weiner
A MOUND OF THOSE OFFERINGS THAT HALLOW
LAYING WASTE & MAKING FALLOW A PORTION OF THE LAND, 1997
LANGUAGE + THE MATERIALS REFERRED TO
A naked woman lays on a tiled floor, white crumpled fabric is on the floor and a white pedestal to her right.

Francesca Woodman
Untitled, Rome, Italy I.177B (D), 1977-1978
Vintage gelatin silver print
Image: 7 3/4 x 7 1/4 in. (19.7 x 18.4 cm)
Paper: 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm)
Frame: 18 x 18 x 3/4 in. (45.7 x 45.7 x 1.9 cm)
A nude woman sits on a tiled floor looking back at the camera, a framed picture and white rectangle lay against a rocking chair

Francesca Woodman
Italy I.142 (C), 1977-1978
Vintage gelatin silver print
Image: 4 1/2 x 4 1/2 in. (11.4 x 11.4 cm)
Paper: 10 x 8 in. (25.4 x 20.3 cm)
Frame: 18 x 18 x 3/4 in. (45.7 x 45.7 x 1.9 cm)
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