Thomas Struth

Published on the occasion of Struth's exhibition at Marian Goodman Gallery in 2010, in which Struth turned his focus to technological apparatuses around the world. 

The book features an insightful essay by Benjamin H.D. Buchloh in which he contextualizes Struth's practice in the German history of photography, particularly in response to Bernd and Hilla Becher. 

**This item is also available for purchase at Librairie Marian Goodman, Paris**