Dara Birnbaum

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Arabesque, 2011
4 channel video installation; 4 audio stereo channels
6 min. 30 sec.
Edition of 3
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Six movements: Video work from 1975, (Addendum; Autism; Chaired Anxieties: Slewed; Chaired Anxieties: Abandoned; Mirroring; Control Piece; Bar (red), 1975
Set of 6 videos: each 1 channel video, black and white, mono mix
Varying duration
Edition of 10
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Attack Piece, 1975
2 channel video (Super 8 film and 35 mm slides mastered on Beta-SP), black and white, 2 channels of stereo sound
7 min. 40 sec.
Edition of 3 +1AP
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Kiss the girls, Make them Cry, 1979
2 channel video, color, stereo; 6 min. 26 sec.
Edition of 3 +2AP
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Tiananmen Square: Break-In Transmission, 1990
5 channel color video, 4 channel stereo sound, 20 foot surveillance switcher
Equilateral triangles in variable space: 1 9/16 x 63 in. (4 x 160 cm)
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PM Magazine, 1982
4 channel video, color, 3 channels of audio, 4:20 min., black and white photographs
Edition of 3 +2AP
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Psalm 29(30), 2016
Six-channel video and sound installation, color; 8 min. looped
Edition of 3
(b. 1946, New York. Lives and works in New York.)

Galerie Marian Goodman, Paris

Dara Birnbaum: Technology/Transformation: Wonder Woman, Fleckenstein Video Gallery, Flint Institute of Arts, Michigan
Dara Birnbaum – Arabesque, Marian Goodman Gallery, New York, NewYork
Dara Birnbaum, Museo Fundação Serralves, Porto, Portugal
Dara Birnbaum – Retrospective: The Dark Matter of Media Light, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gent, Belgium
Dara Birnbaum: Technology/Transformation: Wonder Woman, Museum of Modern Art, New York, New York
Happy Ending, FRAC Champagne-Ardenne, Reims, France
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, Canada
MORE LIGHT: Media Art from Atlanta, Eyedrum, Atlanta, Georgia
Don’t Call Me Honey, Wexner Center for the Arts, Columbus, Ohio
First Light: A Decade of Collecting, Barbara Lee Collection of Art by Women, ICA, Boston, Massachusetts
TECHSTYLE Series 1.0. Ariadne’s Thread, MILL6 Foundation, Hong Kong, China
Bodacioussss, Museum of Contemporary Art, Denver, Colorado
Breaking News: Turning The Lens on Mass Media, J. Paul Getty Museum, Getty Center Los Angeles, CA

Ludwig Goes Pop, momuk - museum moderner kunst stiftung ludwig wien, Wien, Austria
same same but different, imai – inter media art institute, Dusseldorf, Germany
Taking Pictures, Burlington City Arts, Vermont
The Feminist Avant-Gard of the 1970s, Hamburg Kunsthalle, Hamburg, Germany
Strangelove, curated by David Gryn, Central Saint Martins, London
Protest Against Forgetting, curated by Hans Ulrich Obrist, 56th Venice Biennale, Venice, Italy
Transmission: Legacies of the Television Age, National Gallery of Victoria, Melbourne, Australia
Wirkliches Leben? Ein Panorama der Sammlungen, Museum der Moderna, Salzburg, Austria
America is Hard to See, Whitney Museum of American Art, New York, USA
This is Not a Love Song: Video Art and Pop Music Crossovers, Pera Museum, Istanbul, Turkey
Toggle Variable Speed, Logan Center for the Arts Screening Room, The Renaissance Society, Chicago, Illinois
L'art dans tous ses états - Oeuvres de la collection du Frac Île-de-France, Centre d'art les Réservoirs, Limay, France
Fireflies in the Night. Curated Robert Storr, Barbara London, Kalliopi Minioudaki, and Francesca Pietropaolo. Stavros Niarchos Cultural Center, Athens, Greece.
Technologism, MUMA-MONASH University, Museum of Art, Melbourne, Australia
Push/Play: A Survey of Recent Video Art, The 23rd Annual John and Katherine Covington Art Exhibition, Sonnenschein Gallery in Durand Art Institute, Lake Forest College, Illinois
Greater New York, MoMA P.S. 1, NY
To Be Continued: Television As Art, Nova Southeastern University (NSU) Art Museum, Fort Lauderdale, Florida
The Figure in Process: De Kooning to Kapoor 1955-2015, Pivot Art + Culture, Seattle, Washington
No Meaning, Faircharm Studios, London, United Kingdom
Take it or leave it, Hammer Museum, Los Angeles
Art Post Internet, Ullens, Beijing
Copie Non Conforme, The Kunstraum Niederoesterreich, Vienna, Austria
Rewritten by Machine and New Technology, University Art Gallery, Landini Center for Performing and Fine Arts, Indiana State University, Terra Haute, Indiana
TIME::CODE, White Box, New York
The Last Brucennial, Organized by Vito Schnabel and the Bruce High Quality Foundation, New York
Time Pieces, The video art collection of Neuer Berliner Kunstverein at Nordstern Videokunstzentrum, Gelsenkirchen, Germany
Moscow Museum Nights, Artprojx selection of films, Moscow, Russia
Total Art: Contemporary Video, National Museum of Women in the Arts, Washington, D.C.
Five Pioneers, Cleveland Museum of Art, Ohio
Cut to Swipe, Museum of Modern Art, New York
same same but different, imai – inter media art institute, Dusseldorf, Germany
Women Take Over, Seattle Art Museum, Seattle
Rhythm in it, Aargauer Kunsthaus, Aarau, Switzerland
The Whole Earth: California and the Disappearance of the Outside, The Haus der Kulturen der Welt, Berlin
ZERO+, Curated by Jan Frank, White Box, New York
This Will Have Been: Art, Love & Politics in the 1980s, Walker Art Center, Minneapolis; Museum of Contemporary Art, Chicago
Life and Death, Visual Arts Gallery, School of Visual Arts, New York
les 30 ans: 30 expositions – 30 lieux – 30 partenaires, du frac champagne-ardenne, centre d-art contemporain, Troyes, France
Critical Episodes (1957-2011). MACBA Collection, MACBA, Madrid, Spain