Nairy Baghramian Carré d’Art
In light of recent developments concerning the coronavirus (COVID-19), events, exhibitions and talks are subject to change.
Over the last two decades, Baghramian has created sculptures, photographic works, and drawings that explore the relationships between architecture, everyday objects, and the human body while challenging preconceived ideas of functionality, decoration, abstraction, domesticity, and feminism. Baghramian’s sculptural work proudly displays protuberances and cavities, blobs and spills, limbs and prosthetics, to put under pressure traditional questions of volume, mass, form, and theatricality that have shaped the history of sculpture.
Her works are drawn from materials as diverse as steel, glass, silicon, resin, cork and leather, and often allude to familiar objects abstracted and reconfigured in precise and innovative new forms, conjuring through their reinvention fragments derivative of various fields of association –from the anthropomorphic and industrial, to fashion, theater or interior architecture, their history and the ideological undercurrents hold particular interest for the artist.
For her first museum exhibition in France titled Coude à Coude, Baghramian enters into a dialogue with the architecture of Carré d’Art with a selection of works specifically formed for this exhibition. Spanning several exhibition rooms the walls, thresholds and passageways of the display parcours become living protagonists as well as the works themselves. If the sculpture usually presents itself autonomously from its surroundings and uses the exhibition space like a pedestal, Baghramian reaffirms the marginal, the liminal and the transitional sites of space, attaching her sculptures to the architectural structure of the institution and questioning conventional connotations of spatial perception and its hierarchies.