Pierre Huyghe has been awarded the 2017 Nasher Sculpture Prize, a prize that honors a living artist who elevates the understanding of sculpture and its possibilities. Huyghe has profoundly expanded the parameters of sculpture through artworks encompassing a variety of materials and disciplines.
Huyghe has consistently sought new ways to bring together unconventional and heterogeneous materials into a practice exceeding the sum of its multifarious parts and was selected for his extraordinary work by an international jury of directors, curators, artists, and historians who demonstrate an unparalleled expertise in the field of sculpture. Huyghe will be presented with an award designed by Renzo Piano, architect of the Nasher Sculpture Center, at a ceremony in Dallas on April 1, 2017.
The Marian Goodman Gallery is delighted to announce that Marian Goodman will be the recipient of the 2016 Leo Award given by the ICI (Independent Curators International), which will be presented on October 26. Her tireless commitment to fostering the careers of some of the most significant and respected artists of our times, and her unwavering support of the creative process continues the legacy of the award’s namesake, Leo Castelli, and supports the mission of the ICI.
The Monnaie de Paris presents a solo exhibition of Maurizio Cattelan. This will be the largest exhibition in Europe since his retrospective in New York.
Curated by Chiara Parisi, this exhibition is “deeply” inhabited by the artist. A selection of artworks, those ones whose images remain forever in our mind, will be displayed in the 18th-century salons of Monnaie de Paris.
Pierre Huyghe and Lawrence Weiner will participate in the Okayama Art Summit 2016. It is the first edition of a new triennial contemporary art exhibition to be held in Okayama, Japan.
It will feature 31 important contemporary artists, who play with structures - ideological, formal and political. They do this in very specific ways. Each artist layers their work upon what they encounter. They offer various levels of distance to the given structure. And leave us with different strata for encounter, examination and experience.
The South London Gallery is to open a new permanent garden designed by Gabriel Orozco this October.
Created over the past two years by the artist, with support from 6a architects and horticulturists at the Royal Botanic Gardens, Kew, this extraordinary garden will be open to the public every weekend and used by invited groups during the week. It introduces a new, planted entrance to the garden for residents of Sceaux Gardens housing estate, where the SLG has run art programs for a number of years. The opening of the garden marks a pivotal moment in the SLG’s history of working with artists on ambitious and challenging projects which aim to inspire, attract and connect with large and diverse audiences.
Gabriel Orozco has never before designed a garden but embraced the challenge of transforming a largely inaccessible paved area of land at the back of the SLG’s main building into a unique sculptural garden as part of his artistic practice.
The Kunstmuseum Stuttgart Foundation announced that a jury has awarded Tino Sehgal the 2016 Hans Molfenter Prize, which has been sponsored by the estate of Stuttgart painter Hans Molfenter since 1983. The $18,000 prize honors artists with a connection to Germany’s southwestern region. In addition, Sehgal will create a project in the Stuttgart area, with the date still to be determined.
Whitechapel will present six large-scale installations by the artist, music and drama are ruptured by revolution, exile, and scientific advancement.
The Refusal of Time (2012) is a collaborative work featuring a shadow procession and a cacophony of clocks, bassoons, and metronomes. The work was created with composer Philip Miller, projection designer Catherine Meyburgh, choreographer Dada Masilo and scientist Peter Galison, alongside performers, machine-makers, costume designers and set designers from around the world.
In Second-hand Reading (2013) we see the artist walking and ruminating while forests grow and stories falter against orderly lists of definitions. A selection of Kentridge’s books are displayed among mural-sized equestrian tapestries in a library, and a model theatre for the set design of Alban Berg’s 1935 opera Lulu is shown with projections of his powerful drawings.
In Seven Fragments for Georges Méliès, Day for Night and Journey to the Moon (2003) the artist investigates the quixotic nature of creativity and the magic of film. Finally, an Istanbul hotel lobby sets the scene for O Sentimental Machine (2015) which explores the incendiary legacy of Soviet revolutionary Leon Trotsky and the artist’s exile in Istanbul.
The Centre for Research and Education in Arts and Media (CREAM) will host a two-day conference that will celebrate and critically explore the work and legacy of Chantal Akerman.
The event will mark the anniversary of the filmmaker’s death and also of the UK’s first retrospective exhibition of her installation work at Ambika P3, University of Westminster, which opened in October 2015.
Participants are invited to critically explore both how Akerman disrupted the polemics of art and cinema and the lasting effects of her work.
The conference will be held from November 4-6 at the University of Westminster.
The Instituto Moreira Salles will present a solo exhibition of Sala's work, including a screening of his film, 1395 Days without Red and an artist talk on the day of the opening.
Research photograph. Credit: Katja Schulz
The exhibition On The Other Side concentrates on Richard Deacon’s more recent activity during the last ten years. The Langen Foundation has gathered works of art fashioned from wood, metal, and ceramics which display an experimental exploration of materials, as is so characteristic of Deacon’s work.
Independent Curators International will honor Marian Goodman with the 2016 Leo Award. The award honors the legacy of pioneering art dealer Leo Castelli, an early supporter of ICI, which helps support contemporary art curators, and recognizes Goodman’s commitment to and advocacy on behalf of her artists and her major contributions to the field.
Goodman, the first gallerist to be so honored, will receive her award at ICI’s Annual Benefit & Auction, which will take place in New York on Wednesday, October 26, 2016. The organization will also recognize a to-be-named emerging curator, selected from nominations by leading international curators, with the biannual Gerrit Lansing Independent Vision Award.
“Last year, ICI marked its 40th anniversary, a milestone that Marian Goodman Gallery will celebrate just a year from now,” said Renaud Proch, ICI’s executive director. “We’re proud to honor Marian Goodman for her steadfast support of so many of the artists who move us, impact society, and help us make sense of the world in which we live.”
In a press release, the organization praised Goodman for her “deep commitment to fostering the careers of some of the most significant and respected artists of our times, with a distinctive vision—international in scope, thoughtful, and always intimately supportive of the creative process—that is in many ways connected to ICI’s mission.”
The City of London’s annual public art program, "Sculpture in the City", places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district.
This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale and will include William Kentridge, in collaboration with Gerhard Marx, and Giuseppe Penone.
Kentridge and Marx will present Fire Walker (2009) on Bishopsgate while Penone will be showing Idee di Pietra – 1372 KG di Luce (2010) in front of Norman Foster’s the Gherkin, St Mary Axe.
The Espace Louis Vuitton Tokyo presents two video installations of Pierre Huyghe. The video, The Host and the Cloud (2009–10), is a tale, a journey in the mind of an absent subject, conceived as a roleplay and filmed over the course of a year in the disused building of a closed museum in Paris next to the Fondation Louis Vuitton.
Alongside, A Way in Untilled (2012) follows the wandering of a dog with a fluorescent leg into a parallel world of organic decay, evolving around the well-known sculpture Untilled (Liegender Frauenakt), a half lying woman figure whose head is a swarm of bees. Through these documentary films of science fiction, the artist plunges the viewer into a visual and audio odyssey.
The Frac Pays de la Loire presents a solo exhibition of Amar Kanwar. His video installation, The Torn First Pages, which projects the spectator in the maze of the dictatorship in Myanmar will debut in France for the first time.
A tribute to the civil resistance, the installation, composed of 19 movies, constitutes a judiciary poetic journey entwining elliptically and metaphorically the activist’s path fighting for democracy. Beyond the social and political observation, Amar Kanwar narrates traumatic memories in order to overcome them.
The Royal Djurgården, Stockholm presents a sculpture exhibition featuring the works of Tony Cragg.
The exhibition at Djurgården consist of five monumental sculptures in which two will be placed by the water below Rosendal Palace, while the others will be installed along the boardwalk below Swedish National Museum of Science and Technology and The Museum of Ethnography.
This summer, the annual sculpture display in the Rijksmuseum’s gardens is dedicated to Giuseppe Penone. It will be the first time that, in addition to a number of earlier iconic works, new work by the artist will be shown, such as Vene di pietra tra i rami ('Stone veins between branches', 2015).
La Venaria Reale presents Giuseppe Penone- Anafora, seven artworks in the restored Grottoes of the Lower Park in the Gardens in a harmonious “dialogue” with his other imposing installations located in the adjoining Garden of Fluid Sculptures. This set of works punctuate the garden’s path and their contents integrate into and celebrate their bond with their setting.
It is curated by Carolyn Christov-Bakargiev and was developed in collaboration with Castello di Rivoli – Museo d’Arte Contemporanea.