Danh Vo Awarded ARKEN Prize 2015.
For further information about the award please read about it here
For further information, please visit the REDCAT Award website
For further information, please visit the Mac’s Grand Hornu website
For further information, please visit the Louisiana Museum of Modern Art's website
Congratulations to Pierre Huyghe for being awarded the Kurt Schwitters Prize
For further information, please visit the Museum of Contemporary Art Tokyo website
Julie Mehretu was awarded a US Department of State Medal of Arts, 2015
For further information, please visit the US Department of State website
The first major survey of the German/British artist Tino Sehgal marks the new directorate of Beatrix Ruf. Taking place in 2015, the overview unfolds in 12 chapters.
For further information, please visit the Stedelijk website
Entitled I Don’t Know . The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in three bold and brilliant colours.
For further information, please visit the Tate Modern website
For the High Line, the artist presents The Evolution of God, a new, site-specific installation composed of thirteen abstract sculptures which punctuate the wild, self-seeded landscape of the High Line at the Rail Yards, and creates a sculptural progression and a rhythmic sequence of forms, reminiscent of a musical score.
For further information, please visit the Highline website
It has come to our attention that an untrue story is circulating about Danh Vo. We feel these unfounded accusations urgently need to be addressed. Please find here a statement from Mr. Vo.
Cordially, Marian Goodman
Statement from Danh Vo
Danh Vo and Galerie Isabella Bortolozzi confirm their involvement in legal proceedings with Bert Kreuk.
Danh Vo participated in Kreuk’s exhibition "Transforming the Known", at the Hague’s Gemeentemuseum. Contrary to Kreuk's claim, a work was delivered by Danh Vo for the exhibition ‘Transforming the Known’ and displayed as part of the show.
The work was provided to the Gemeentemuseum under a signed loan agreement between Danh Vo and the Gemeentemuseum only. After the exhibition closed, Kreuk took it upon himself to intercept the Museum loan and block the return of Vo’s work from the Gemeentemuseum, by taking out an injunction that prevented the work from being transported back to Danh Vo. 12 months on, Danh Vo is still waiting for his artwork to be rightfully returned to him.
Contrary to Kreuk's claim, no sale of an artwork was conducted either by Danh Vo or Galerie Bortolozzi for this exhibition.
When requested by the courts to do so, Kreuk has been repeatedly unable to produce any proof indicating the existence of a purchase contract with Vo or Galerie Bortolozzi for the work that Kreuk claims. As there is no purchase agreement with Kreuk with regard to the claimed artwork, Danh Vo and Galerie Bortolozzi are confident that they will prevail in the legal proceedings.
Please note: If this Statement is to be published, it must be published in its entirety.
Giuseppe Penone wins 2014 Imperial Praemium Prize in sculpture. For further information, please visit the Imperial Praemium Prize website
We are pleased to announce that the Juan Munoz Estate has launched juanmunozestate.com.
For further information, please visit the new website
Amar Kanwar wins Leonore Annenberg Prize for Art and Social Change.
Eija-Liisa Ahtila makes a projected installation in four channels, Studies on the Ecology of Drama 1. The premiere of the artwork will occur in connection to the opening of the museum. For further information, please visit the Serlachius Museum website
Cristina Iglesias: Tres Aguas
26 April 2014 - ongoing
Various locations in Toledo, Spain
Toledo stands above the fast flowing waters of the River Tagus. Its waters were drawn up by the first communities into their fountains, cisterns and baths, and so the settlement flourished.
In making Tres Aguas – A Project for Toledo, her most ambitious work to date, Cristina Iglesias drew from the cultural history of the city, its mingling and layering of Muslim, Jewish and Christian communities who lived alongside each other for centuries in the period known as "La Convivencia" or The Co-existence. The three sculptural works that make up the project bring water to the fore; it courses through channels and travels back into the ground after animating the surfaces of the works so they come to resemble the overgrown bed of some ancient river. Visitors are taken on a journey through the city as they visit each work, from a mudéjar water tower to the city's main public space and then onto a hidden location within a convent, a place not normally open for visitors.
Conceived as a journey into the heart of the city, Iglesias' project aligns the hard materials of architecture and the fluidity of water to deliver a sequence of large-scale sculptural works that bring the river back into the body of this historic city.
For further information, please visit Cristina Iglesias: Tres Aguas to view images, video, and additional information.