Pierre Huyghe has been awarded the 2017 Nasher Sculpture Prize, a prize that honors a living artist who elevates the understanding of sculpture and its possibilities. Huyghe has profoundly expanded the parameters of sculpture through artworks encompassing a variety of materials and disciplines.
Huyghe has consistently sought new ways to bring together unconventional and heterogeneous materials into a practice exceeding the sum of its multifarious parts and was selected for his extraordinary work by an international jury of directors, curators, artists, and historians who demonstrate an unparalleled expertise in the field of sculpture. Huyghe will be presented with an award designed by Renzo Piano, architect of the Nasher Sculpture Center, at a ceremony in Dallas on April 1, 2017.
Richard Deacon: What You See Is What You Get is the first major museum exhibition in the United States, and will include roughly 40 works from more than three decades of Deacon's oeuvre.
Along with loans from private collections as well as from institutions including the Museum of Modern Art in New York, San Francisco Museum of Modern Art, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., this exhibition will debut a new work by Deacon.
Yorkshire Sculpture Park presents Tony Cragg: A Rare Category of Objects, the largest UK exhibition to date by Tony Cragg. New sculptures, drawings and works from nearly five decades of Cragg’s practice will survey and demonstrate the artist’s pioneering and continued mastery of materials in the Underground Gallery and open air.
The Kunstsammlung Nordrhein-Westfalen presents Marcel Broodthaers: A Retrospective, an overview of Broodthaers' oeuvre. Broodthaers formulated a critical and idiosyncratic position within the milieu of Pop Art, Minimalism, and Conceptual Art, and within a short time, received emphatic acclaim on the avant-garde art scene with the institution-critical, installation, and cinematographic works that have established him as a figure of fundamental importance for the visual art in the 20th and early 21st century.
This exhibition is organized by The Museum of Modern Art, New York and the Museo Nacional Centro de Arte Reina Sofia, Madrid.
The artist will be present for a panel discussion during the opening weekend when the Moody will inaugurate interdisciplinary conversations about technology and research —important and timely topics of global significance — and how our experience of them shapes our perceptions of the world.
The work of Giuseppe Penone will be the subject of the first exhibition of contemporary art at the Palazzo della Civiltà Italiana, Fendi’s headquarters.
The exhibition, titled Matrice will include some of Penone’s older works such as Soffio di Foglie, a huge pile of leaves on which the artist has left an imprint of his body, Abete, Ripetere II Bosco, and Spine d’Acacia, made entirely of thorns and which resembles the lines of the artist’s mouth. There will also be two new pieces, including a 30m-long horizontal sculpture, formed from a tree that has been excavated and the interior filled with a bronze mold, and which will occupy an entire wing of the building. The outside space will feature a momentous sculpture of two bronze and marble trees.
This exhibition will feature four of Dijkstra’s portraits of adolescents, as well as a 1991 self-portrait that inspired much of her later work. It is timed to coincide with the installation of I See a Woman Crying (Weeping Woman), a three-channel video of British schoolchildren talking about Picasso’s painting Weeping Woman, on view in the East Building’s display of Collectors Committee gifts.
The artist will also be giving a talk at the museum on January 15 at 2pm.
S.M.A.K presents Déformation Professionnelle, a solo exhibition by Nairy Baghramian that comprises of a series of new sculptures and installations that build on the key works in her oeuvre over the last fifteen years. For this purpose, she has reinterpreted not only the works themselves, but also the tools and other work materials that she used in making the artworks. In this exhibition, Baghramian in this sense criticizes, emphasizes and stretches the concept of the ‘retrospective’. Through her playful take on the retrospective view, she unpacks and interrogates the conceptual, economic, physical and social aspects of sculpture.
Taking its title from a French phrase that indicates an adjustment to one’s worldview that results from being overly specialized or an expert, Déformation Professionnelle also speaks of analyzing one’s profession or métier: in this case the artist’s method.
The Museo Tamayo presents a monographic show showcasing the diverse media of Tacita Dean, created throughout different stages of her career. Additionally, it will commission a new film and show her most recent series of paintings, along with other pieces that are currently under production. Although her pictorial work is not necessarily the one she is most known for, drawing and painting have a central role in the development of her practice.
A double publication will be prepared in relation to this exhibition, constituted by a catalogue of the show and an artist’s book.
Danh Vo presents a series of compelling new sculptures as part of his first outdoor installation in the Ng Teng Fong Roof Garden Gallery at the National Gallery Singapore. Vo’s work often draws upon personal experience to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the 20th century. A continuation of his existing practice, this installation explores issues of cross-cultural identity and the definition of cultural values.
Museo Nacional Centro de Arte Reina Sofía presents Lothar Baumgarten’s The ship is going under, the ice is breaking through, a solo exhibition that will utilize the Palacio de Cristal as an element of dialogue with a sound piece conceived specifically for its unique architecture. Baumgarten returns to a line of work he explored in pieces such as Caimán, nariz blanca (1989) and Seven Sounds / Seven Circles (2004).
The Marian Goodman Gallery is delighted to announce that Marian Goodman will be the recipient of the 2016 Leo Award given by the ICI (Independent Curators International), which will be presented on October 26. Her tireless commitment to fostering the careers of some of the most significant and respected artists of our times, and her unwavering support of the creative process continues the legacy of the award’s namesake, Leo Castelli, and supports the mission of the ICI.
Steve McQueen will be awarded the 2016 British Film Institute fellowship. It is the highest accolade the BFI Board of Governors can bestow and is given in recognition of his outstanding contribution to film culture, showcased in his range of artworks and three multi-award-winning features, Hunger, Shame and 12 Years a Slave.
It will be presented at the BFI London Film Festival awards ceremony on October 15.
The Kunstmuseum Stuttgart Foundation announced that a jury has awarded Tino Sehgal the 2016 Hans Molfenter Prize, which has been sponsored by the estate of Stuttgart painter Hans Molfenter since 1983. The $18,000 prize honors artists with a connection to Germany’s southwestern region. In addition, Sehgal will create a project in the Stuttgart area, with the date still to be determined.
The exhibition On The Other Side concentrates on Richard Deacon’s more recent activity during the last ten years. The Langen Foundation has gathered works of art fashioned from wood, metal, and ceramics which display an experimental exploration of materials, as is so characteristic of Deacon’s work.
The City of London’s annual public art program, "Sculpture in the City", places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district.
This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale and will include William Kentridge, in collaboration with Gerhard Marx, and Giuseppe Penone.
Kentridge and Marx will present Fire Walker (2009) on Bishopsgate while Penone will be showing Idee di Pietra – 1372 KG di Luce (2010) in front of Norman Foster’s the Gherkin, St Mary Axe.