Delcy Morelos

Born in 1967 in Tierralta in the region of Córdoba in Colombia, Delcy Morelos studied at the Cartagena School of Fine Arts. She lives and works in Bogotá. Her practice is rooted in ancestral Andean cosmovision and the aesthetics of Minimal Art. Morelos’ abstract works, with their formidable evocations, inspire rumination on the interplay between human beings and earth, the human body and materiality.

In her early works, Morelos focused primarily on painting, applying natural red pigments to paper. Her chromatic research directed her attention to the intersection between body and violence. Over time, her material investigations extended into ceramics and textiles, and this work, along with her continued use of natural materials such as earth, clay, fabric, and plant fibers, led her to gradually develop a more sculptural practice, and, more recently, large-scale multisensory installations.

Solo exhibitions include Interwoven, Pulitzer Arts Foundation, St. Louis, MO (2024); El Abrazo, Dia Chelsea, New York (2023);  El lugar del alma, Museo Moderno, Buenos Aires, Argentina; Enie, Fundación NC-Arte, Bogotá (2018); Inner Earth, Röda Sten Konsthall, Göteborg, Sweden (2018); La sombra Terrestre [The Shadow of the Earth], Fundación Fuga, Bogotá (2015); Barranquilla Museum of Modern Art (2006); Gt Gallery, Flax Arts Studios Residence Program, Belfast, Northern Ireland (2006); Academia Superior de Artes de Bogota, Santa Fe Gallery, Bogota (2004); and Color que soy, Museo de Arte de la Universidad Nacional de Colombia (2002). 

Selected group exhibitions include The Milk of Dreams, Arsenale Pavilion at the 59th Venice Biennale (2022); Still Alive, Aichi Triennial in Japan (2022); Something (you can't see, on the other side, of a wall from this side) casts a shadow, SOMArts Culural Center, San Francisco (2018); Medellín, une histoire colombienne des années 1950 à aujourd’hui, Musée des Abattoirs, Toulouse, France (2017); Du som jag, Havremagasinet, Boden, Sweden (2016) and Sami Center for Contemporary Art, Karasjok, Norway (2017); 7 Mercosul Biennial, Grito e escuta [Screaming and Listening], Porto Alegre, Brazil (2009); MDE 07, Espacios de hospitalidad [Hospitality Spaces], Medellín (2007); ES2002 Tijuana/II International Biennial, Tijuana Cultural Center CECUT, Mexico (2002), and the VI Havana Biennial, Cuba (1997).